This is a guest piece written by Max Taylor. Max is a freelance games journalist from Cardiff, UK.
You can follow his writing at PurePlaystation.com. Contact him at: maxedoutgames@yahoo.co.uk
God of War is the perfect game, a reflection of what this art form can achieve and the culmination of everything great about games as a medium. Every aspect of this meticulously-crafted world and Kratos and Atreus’s expertly told story, is best experienced firsthand. From exploring the vast expanses of Midgard and the many realms beyond, to embodying Kratos and Atreus as they learn about one another and the world of gods and monsters they inhabit, discovery is at the core of this experience.
God of War as a series has a long history, one which this game handles to great effect. By the seventh title in the series, God of War: Ascension, the Ghost of Sparta’s ceaseless vengeance quest and the series’ gameplay formula had begun to feel tiresome. In this iteration, Kratos’ story transitions from familiar Greek territory to Norse mythology, allowing the series to progress both narratively and mechanically, imbuing both character and series with a new focus and vigor. The ghosts of Kratos’ old life continue to haunt him, and themes of family, fatherhood, anger, power and vengeance are explored in a sublimely constructed story. Kratos and Atreus’s journey to the highest peak in the realms to the spread the ashes of Faye – beloved wife to Kratos and mother to Atreus – is personal, intimate and affecting.
This goal endures as their ultimate drive throughout the tribulations of the 25 hour main story. With Kratos’ reputation preceding him, the Norse gods soon embroil him in their affairs. To elaborate any further on the specifics of the plot would detract from its impact; however, the details in its delivery speak to its quality and nuance. Christopher Judge and Sunny Suljic as Kratos and Atreus, respectively, wholly embody these characters, their chemistry as father and son effortless. Judge’s Kratos is recognizable as the once-vengeful Spartan of old, yet this stoic, humble man has evolved, now consumed by his responsibility as a father rather than by resentment for his own. Unlike previous God of War games, this Kratos is a relatable, nuanced character that, despite his flaws, I like and enjoy inhabiting.
Kratos is a relatable, nuanced character that, despite his flaws, I like and enjoy inhabiting.
Suljic’s Atreus is filled with awe and affection, both for his father and the world he inhabits. He looks to Kratos for life lessons and always strives for his father’s approval. This dynamic is established in the game’s early hours as Kratos teaches the boy how to hunt and survive in the wilds beyond their home. However, Atreus’ fascination for the cultures and languages of this mythological world also give him agency as a teacher. From knowledge gleaned reading runes and studying creatures, he provides guidance by contextualizing lore and advising combat for both Kratos and the player.
The relationship between Kratos and Atreus is symbiotic in many ways; they teach one another how to survive this world, whether that be through brains or brawn. As they develop, both individually and together, they instill more profound values in one another. Seeing echoes of his rage-filled self begin to arise in Atreus, Kratos strives to teach the boy discipline, poise and control, and as Kratos opens up, Atreus teaches him how to express compassion, vulnerability and the one thing that seemed lost to him: humanity.
The relationship between Kratos and Atreus gradually but meaningfully blooms throughout the hardships faced and lessons learnt on their journey. This relatable father-son dynamic, reflective of game director Cory Barlog’s own fatherhood, is incredibly well observed, written and acted. Every character you meet on your journey feels authentic and fully realised, an integral part of the history of the land they inhabit. The humorous bickering between blacksmithing dwarf brothers Brok and Sindri is always endearing and never overplayed. Mimir, a severed head who was once the smartest man in the world, serves as your guide for the latter half of the story. His acerbic wit and compelling storytelling is a constant source of entertainment and information, thanks to Scotsman Alastair Duncan’s beguiling performance. God of War’s main antagonist, The Stranger, is likewise an excellent creation. Jeremy Davies’ unsettling yet oddly charming portrayal channels the madman swagger of Heath Ledger’s Joker and the slurred articulation of Bill Nighy’s Davy Jones. The Stranger’s story arc plays cleverly into Kratos and Atreus’ journey, and his tragic development makes him more fleshed out than a typical bad guy.
Kratos feels weighty and powerful, with purpose behind every action. God of War’s audio design complements this heft and power; meaty axe thunks, guttural grunts, icy shimmers and eldritch screeches converge in a cacophonous maelstrom, amplifying the visceral feel of combat. God of War’s revamped combat system centers around Kratos’ new weapon: the Leviathan axe. With the ability to throw the axe, fight bare-handed, and block and bash with a shield, God of War’s combat is tactile and spectacular, intimate and balletic in its violence. Atreus helps distract enemies, flanking them and whittling down their health with barrages of arrows. Mapped to a single button, commanding Atreus to coordinate his attacks with yours is intuitive. Powerful runic attacks, summons and additional weapons also add depth. An extensive skill tree, along with the ability to upgrade and customize armor and weapons, further this intricately tactical yet gratifying combat system. While exp-unlockable skills expand your aptitude in combat, gear takes a priority, especially later in the game, rendering the easily-maxed skill tree somewhat redundant and leaving you with a surplus of exp post-game. Despite this, God of War’s combat is unparalleled.
God of War’s combat is tactile and spectacular, intimate and balletic in its violence
God of War is clearly the product of five years of intense, passionate work from Sony Santa Monica. The spectacular art design makes every detail of this world feel handcrafted and authentic, from detailed filigree and runes carved into aged pieces of armor to the sweeping, mist-draped vistas of its boreal expanse that invite exploration. Every mythical creature, from draugrs to dragons, is brought to life with naturalistic animations, and imbued with ferocious personality. This cohesion and authenticity makes even the most fantastical parts of this bizarre and darkly humorous mythology feel tangible and grounded. God of War harnesses its source material to fantastic effect, imparting an almost scholarly quality to the game through dialogue and environmental storytelling, while playing with preconceptions of both the series and Norse myth. Additionally, Bear McCreary’s breathtaking score builds on recognizable musical motifs from the series’ past – deep vocal choirs, pounding orchestral drums, triumphant brass – while using European folk instrumentation and sound palettes to create an auditory accompaniment that complements Kratos and Atreus’ epic and deeply personal journey. God of War’s attention to both scope and detail is something that will consistently pleasantly surprise you.
For a game of its length, God of War never feels tedious, and no moment feels empty. Presented in one continuous shot that seamlessly blends gameplay and storytelling, God of War’s pacing is expertly balanced, lending a sense of continuous flow to the entire experience. Every shore you dock at is a self-contained, ingeniously constructed level, strewn with chests, enemies, treasure maps, relics and more, which all feed back into your progression. God of War rewards the curious at every turn with gear, lore, or entire optional areas and storylines, yielding currency, materials and upgrades. God of War also seizes every opportunity to deepen your connection to its characters and enrich your immersion. Every boat trip is accompanied by a captivating allegory from Mimir. Every return trip to a previously visited area is rewarded with access to new paths, thanks to inspired level design which borrows from both Metroidvania and Dark Souls.
Ivaldi’s Workshop, a perilous maze with a risk-reward dynamic, Muspelheim’s gauntlet of challenging combat encounters, and the addition of other optional favours, collectibles and bosses flesh out post-story content, adding another 20+ hours to this already substantial experience. With so many enticing distractions, it is a testament to God of War’s main storyline that I felt compelled to follow it almost exclusively. Despite all manner of extraordinary adventures available to me, I found it impossible to tear myself from the main path, consistently anticipating what astonishing location, creature or set piece I was going to encounter next. The emotional connection I developed with Kratos and Atreus made me feel personally responsible for carrying out Faye’s final request.
God of War is a glorious, generation-defining masterpiece that celebrates the power of video games as a storytelling medium. Kratos and Atreus’s grand yet deeply affecting journey takes place in an incredibly well-realized world that seems to exist even beyond their humble goal. Intelligent writing, outstanding performances, stunning art design and a beautiful score combine to deliver an enthralling experience, anchored by vivid lore, gratifying combat and exceptional level design. Every minute of God of War is engaging, compelling, and most importantly, fun.
Originally intended for a Spring 2018 launch, the super-police RPG shooter has been pushed back again, this time into 2019. Microsoft stated that they want to ensure the best experience for their players as possible, and the delay, while unfortunate, is a result of this desire.
